Wednesday, October 17, 2012

Architects...What do they really do? Careers in Architecture

I recently entered into a casual discussion with an acquaintance who happens to be an editor from the New York Times...she confessed, "I don't know if I ever told you but I always wanted to be an Architect....but my parents made me take typing instead of drafting in High School." 

While an entertainment channel did a montage recently of celebrities answering the question "If you could be anything what would you be resulted in 50 or so people saying "Architect," "Architect," "Architect," "Architect," "Architect," "Architect," "Architect," "Architect,"
"Teacher," "Architect,""Architect," "Architect,"
"Architect," "Architect," "Architect," "Architect," "Architect," "Architect," "Architect," "Teacher," "Architect,""Architect," and the men have been named the sexiest professionals, I think many are confused about what we really do.

Some of the myths and mystique revolve around what we do and wear.  It seems that we all wear black, cool glasses and point at cool drawings and models.  But it has became clear to me that being an Architect is much like being a writer/editor --we are three dimensional storytellers. 

I thought about how many people are calling me because they saw my portfolio on Houzz and they love what they are seeing.  I visit with potential clients and they have print outs from the site or cuttings from a magazine and they tell me about how they are trying to create what is in the picture.  First and foremost it is like trying to get the look of the person on the cover of a fashion magazine.  These images have fancy lighting, they are staged and they have been photo shopped.  What I believe people are responding to is the story that is being told...the problem is that it is not "their story". 

Successful architecture tells a story of its occupants and the site.  Much like a good story has a hero and a context that support the plot, successful spaces are created when the Architect understands the setting and the client and how they are going to move in and around the space and how they live and work.  Trying to copy an image you see online might give you a look, but if you want that space to make you feel good like your favorite pajamas or an old leather jacket, the space needs to tell the story of you.  Not the story of a famous designer ...but the story of you.  It should be tailored/edited to meet your living style and needs and should have your voice. 
I like to think the reason people are drawn to the images in our portfolio is because they like the stories that being told and they want us to help them tell theirs.  A good Architect will help you find your voice.  They will listen to your stories about your life and how you work and play, what your interests are and help you write the story of you in 3D.

Many people don't know this either...if you want to be an Architect, you don't have to take High School Drafting.  You don't even have to have to be really great at Math.  What you do have to have is the ability to conceptualize, draw and tell a good story. 

Monday, September 10, 2012

Architects depend on the "Referral Machine"--oiled best by satisfied clients. Glowing Referrals for Clawson Architects

Architects are typically working themselves out of a job.  Repeat clients certainly do exist, however, many clients are building their dream house/addition and there is only one dream that can be realized. We have found that our best clients come from the Referral Machine -- satisfied Clawson Architects clients whose first-hand experience with our firm provides their friend or colleague who is now a potential Clawson Architects client with a valued, experience-based opinion of us and our work.

The Clawson Architects team always works hard to exceed client expectations, and while we are gratified to hear that our clients love spaces we've designed for them and are happy, nothing -- absolutely nothing -- beats reading a review that articulates everything that we worked so hard to deliver.  Yesterday, I was overwhelmed by a glowing review posted on Houzz.com by a past client of Clawson Architects.

If you have ever wondered if you need an Architect, questioned the benefit of using an Architect, or were apprehensive about what the experience might be like, check out this review.  Two years later, they are still thrilled... AND SO ARE WE:


"We hired Clawson Architects to do a major rennovation of our 1910 house, involving a completely new kitchen and family room, plus a new second floor hall full bathroom.

Why hire an architect?
When money is tight, you might be tempted to “skip” the architect and just hire a builder directly. In our opinion, this is a mistake. It can mean the difference between getting a space that’s merely adequate versus one you’ll truly love.

Why hire the Clawsons?
Drawing skills.
Marvin Clawson’s extraordinary drawing skills saved us time and money. He stood in our old kitchen and quickly sketched different ways of arranging windows, doors, cabinets, hallways. He showed us, in correct perspective, how our kitchen would appear looking down a paneled hallway. He drew three-quarter-views, cutaway views, views as if we were looking through floors and walls, etc. Believe it or not, these days, almost no architects can do this. CAD (computer aided design) drawings, which his office also does, have their place, but the turn-around time is necessarily much slower than Clawson’s instantaneous vision.


The result of Clawson’s old-fashioned drawing ability is better communication between architect and client. We could really see how his ideas, and ours, would look. This helped us rule some things in or out immediately. It also made it easier for him to see what we cared about most. As a result, we made faster, better decisions that we stayed happy with.

Good period design.
The day of the cookie-cutter McMansion is over. The Clawsons are experts at increasing the feeling of light and usable space in your home without needlessly over-building. Our kitchen feels bigger than it is because it is well thought out. The Clawsons know how to incorporate period details that made our house more charming and functional. Our 1910 house got a “milk window” and a laundry chute.

Knowledge that means quality and savings.
The Clawsons’ deep knowledge of materials, and sources helped us achieve a high-end look on a budget. Jane had her heart set on a stone sink like ones she had seen in European farmhouses, but was dismayed by the high price of such items. Thanks to Marvin Clawson, we got a custom-made sink made of native limestone at a fraction of the cost.

The contractors recommended by the Clawsons were a pleasure to work with – Scrupulously punctual, neat and highly skilled. They delivered a high-quality result well before the deadline.

In the 2+ years since the job was completed, we have been super-happy with the result. Seems like we spend most of our time in there! It's a beautiful bright sunny room all day and all year long. It's hard to imagine a better outcome.

We whole-heartedly recommend Clawson Architects LLC! "



Does it get any better than this?  Thanks Jane and John...we loved working with you too.

To see more reviews check out Clawson Architects on Houzz.com



Friday, August 10, 2012

What Color is That? How to select the perfect paint color.


What color is that?  
This is the question I get asked most often.. "what color is that?  Mostly it is in reference to a project published on the Internet?
This apparently is not an uncommon question.  Customer service agents at Pottery Barn were also inundated with the same question every time they released a new catalog. So, they partnered with Benjamin Moore and now they offer official Benjamin Moore Color chips in the store and online. If you don’t see the small print, no problem, the Customer Service Representatives at Pottery Barn can tell you what color is behind that couch on page 54.
This is all well and good; however, I am sure many out there have then commenced to paint a room that color and it just did not turn out the way they thought it would.  This is because color is amazing.  It has the ability to change the one next to it just like your eyes change when you wear certain colors. It is affected by its surroundings especially the lighting. The light bulbs in the fixtures throughout the room, or even in the same fixture may not even be the same.  The light at different times of the year and in different areas of the house will appear completely different as well. 

When Clawson Architects photographs a space, we use a professional and he sets up all kinds of lights. I have even helped change the light bulbs in the fixtures and hang white sheets or blackout curtains in windows to diffuse the light to get an image that will communicate the design intent best.  Then, because I use a double screen at work, depending on which monitor I have the image opened on, the color appears differently.  The images also prints differently depending on which printer I send it to. 

So when someone calls or writes to me and asks what color something is, the easy answer would be to just tell them a number.  They won’t get even close to the same results, but they are begging me for the number. 

So, if you see a color you like, I would like to recommend you do three things:

1.   Try to capture the color with one of the Color App Catchers. I like Benjamin Moore’s.  Or hold up a fan deck from any of the paint companies out there and try to pick one that is close to what you are seeing.
2.   Buy small can of the paint and paint pieces of white poster board.  Tape it up in different parts of the room and look at it at different times of day. It may take several tries but it will be worth it.
3.   If you have control over the light bulbs in your fixtures, buy ones that are “daylight”. If the fixture has multiple bulbs, and one goes out change all of them at the same time. 

There is so much hesitation over color.  As an Architect and Interior Designer, I select colors for clients all the time.  I use the process described above.  It works. How do I know when I have found the right color?  When your friends come in and say “What color is that?”  Or in the case of the exterior, you will see people standing out in front of your house with a paint fan deck…the brave ones ring the bell and ask. 

Wednesday, February 8, 2012

Typical Dimensions for Home Design: Architecture by Numbers

Formulas for good design.
What are the dimensions for…? How much room do I need for…?


Kitchen Counters
Are 36” high.
Counter depth is 24” + 1” overhang for a total of 25”.

Bathroom Vanities :

18-21” deep and are typically 30-34” high

You need minimum of 60” to get a double Vanity in, but we recommend at least 72” so two adults can stand next to each other at those sinks.





Closets:   need to be a minimum of 21” deep for a
standard hanger to fit…go for 24” clear on the inside …you will be happier.


Porches:  less than 6’ deep are useless. 6’ gets you a rocking chair and room to walk pass. 8’ is good, but 10’-12’ is ideal for entertaining and hanging out on.

Paint:  One gallon of paint typically covers 400 square feet of wall surface.

Circulation: 
Doors:
3’-0” wide openings for doors to the exterior.
2’-6” to 2’-8 inches everywhere else unless you need
Wheel Chair Accessibility…then 3’-0” everywhere.

This also helps with getting large furniture and appliances into the space. Note: Double check that if you are getting a large Viking Range that you can get it into your house.

Halls or circulation paths need to be at least 36” but the closer you can get to 48” the more gracious it will be…this includes kitchen circulation.

The kitchen work triangle = the distance from Refrigerator to the Sink to Stove back to Refrigerator. Each leg of the work triangle should measure between 4’ and 9’ in length and the total length of all 3 legs should be between 12’ and 26’ with 21 being rated at the most efficient.





Bed Sizes:

Twin 39”x75

X-Long Twin found in Dorms 39” x 80

Full Size Bed 54”x75

Queen 60”x80

King 76”x 80

California King 72”x 84”







Couches:  What ever size couch you decide to get, research shows that rarely more than 2 people will sit on it together at one time….don’t know where the research is another one of those things Mother Mary always says…and I have noted the phenomenon at parties.



Dining Rooms:  The minimum dining room size is 12' X 12' this allows for proper circulation around the table and allows for 6 people to fit graciously...more if you are good friends.



Chandeliers: or pendant lights should be approximately 36” above the table/counter surface.
Shelves:  Books minimum 12" however 13" is better.  Dishes need 15" clear in an upper cabinets.  If  you have glass doors on your cabinets either use glass shelves or line the shelf up with the "grill" pattern on the door and for the Love of Good Design-- shelves should always be adjustable because stuff comes in different sizes.

Thursday, January 5, 2012

Understanding Architectural Drawings

Below I have illustrated plans, sections and elevations of the custom-designed vanity pictured on the left.


Plans
The plan is a bird’s eye view looking down from three feet above the floor. I equate this to looking down at the top of a birthday cake.

Sections
Continuing with the birthday cake theme, a section would be like cutting into the cake and seeing all the layers.
The location of where the sections are cut is shown on the plan with a “cut line” and an arrow indicating where the cut has been made and which way we are looking at the section. 
 
Elevations
The elevation shows us what we would see standing in front of the vanity. The location/point of the view is again noted with a circle and arrow on the plan. Referring back to the birthday cake image, if you are looking at the side of the cake and it is a round cake, the drawing of this would be a rectangle.  Vertical parallel lines are used as shading to show the curve.

Tags
The corresponding numbers in these circles, or "tags," tell us the drawing number and the drawing sheet/page in the set. The number on the top of the line indicates the drawing number on a sheet and the bottom number is the page or sheet number in the set. While these drawings all occur on one sheet, the principle remains the same for a larger set of documents where the drawings are on many sheets ... you match the “tag” numbers.

Monday, October 10, 2011

How to find an Architect: choosing a good one will Increase your Return on Investment.

Today was a great day and not just because it is October 10, 2011, 85 degrees and sunny outside here in the Northeast, but because we received a note from a new client. They write:

“We initially consulted with an architect in 2004 with the thought of making a three story addition. In those days, you could almost be assured of making back any money that you invested in the house, but nowadays I think that the renovations need to be smarter and make better use of the space you have.” ….” We are in Maplewood in part because we love old houses, and would like to work with you (Clawson Architects) because your projects are sensitive to maintaining continuity with the style of the house, but provide improved use of space.”

Thank You!….we are thrilled that you see the value of using an Architect but even more, that you understand that Clawson Architects is different because we deliver so much more than a box on the back. The Star Ledger described the work by Clawson Architects as “smart and unique” and Period Homes wrote a profile about us and our worked titled “Tailoring Tradition,” both articles featured various projects -- all different styles and scales -- and made us very proud. But to have you, the consumer, recognize and tell us why using Clawson Architects for your project is a great way to protect the investment you make in your home is great feedback and confirmation that the word is out and that people can see a difference.

Clawson Architects, LLC prides itself on addressing our clients' project goals while building a sustainable relationship with them and the built environment. We value creativity in our approach to problem-solving; bigger is not always better. With over 60 years of combined experience between the partners, we are qualified to offer innovative architectural design solutions for your property. We utilize a cooperative team approach to designing your project with you. Clawson Architects' years of experience and our established network of professional, craftsmen and vendor contacts has a proven track record in the metropolitan area. Clawson Architects values the opportunity to work with you on your project by designing alterations, renovations, additions as well as new homes that complement your lifestyle, decorative tastes and the architectural character of your property while meeting your financial goals.

Businesses and Sales Coaches often ask, "What is the Value Proposition...what is it that you bring to the table and how is it different?" Clawson Architects has a portfolio of beautiful projects: new home, renovation, and addition success stories. However from a purely numbers point of view, when looking at the Return on Investment (ROI), Clawson Architects has witnessed their clients' homes receive both post-construction appraisals and post-construction sales that deliver an ROI of  22% -200%. Just one more reason to consider Clawson Architects as your Architect in a time when you need an investment you can count on.

Thanks again for choosing Clawson Architects, now lets get to work!

Thursday, September 8, 2011

Architecture Profession is a committment to learning and teaching.

....It has been a big  SCHOOL week for the Clawson Clan. We took our oldest daughter off to college for her freshman year, saw our son walk out the door to start his freshman year at the High School and tried to keep up with our third as she sashayed down the block, rocking her own sense of style-- anxious only to collect her Safety Patrol Belt and take charge as a new Fifth Grader.


But it does not end there in our house....as my husband and partner loves learning and teaching and works as an Adjunct Professor at The Fashion Institute of Technology and The Institute of Classical Architecture & Art.  This fall within the Interior Design Department at FIT he will be teaching Materials and Methods--providing students with an understanding of the construction process as it relates to the building of interior spaces and Interior Architectural Detailing--a course addressing the basic elements of architectural wooodwork and related joinery methodologies and their application to the detailing of various custom components of interior spaces.  At the ICA this year there is a new program Beaux Arts Atelier --a one year intensive program in New York City in the study of architectural design folloiwng in the method of the Ecole des Beaux-Arts.  This year, the most exciting part for me, is that we will all join him when he travels to  California to Lecture in Los Angeles about "Literature and Theory of Classical Architecture."

As Chekov once said "knowledge is of no value unless you put it into practice.  Marvin has always been involved in lecturing or reviewing student work and prtfolios.  Besides his love of being an Architect, teaching and mentoring really compliments Marvin's spirit as he loves to share his passion of architecture and art. Have a question about how bikes go together, how scotch is made, why there are little circles embossed in the ring around the stick shift on a particular model car?-- give Marvin call he loves art and design and his attention to detail will amaze you.

I realized as I sat down on the couch last night, that on September 6, 2011 that I had actually attended 21 Elementary School "First Days". It is time for a new chapter in my life.  As you know from previous posts that being an Architect is a committment to Lifelong learning so, what do I want to learn about now?